shut up and let me see your jazz hands |
JOHN WATERS // 2007
STUDY ART SIGN (FOR PRESTIGE OR SPITE)
[acrylic urethane on wood and aluminum | 42 x 56 x 4 ½"]
at times when hope is too big of a thing to have, curiosity (even clinical or small) is a very good placeholder
asking myself “why continue” & finding the answer is always, in some form, “i want to know what happens next”, even if that want is tired or detached or outright morbid
there’s so much going on here where do i begin where do i end what was the direction for this i have so many questions i shouldn’t get answers to
Everything I’ve ever let go of has claw marks on it
Hand burnt text on silk velvet
42″ x 24″
2016
MOVIES VS PAINTINGS, Part III.
Shutter Island, Martin Scorsese vs The Kiss, Gustav Klimt.
Midsommar, Ari Aster vs Head of a Bacchante, Annie Louisa Swynnerton.
Shirley: Visions of Reality, Gustav Deutsch vs New York Movie, Edward Hopper.
Us, Jordan Peele vs Not to Be Reproduced, René Magritte.
The Truman Show, Peter Weir vs Architecture Au Clair De Lune, René Magritte.
Gothic, Ken Russell vs The Nightmare, Henry Fuseli.
Mad Max: Fury Road, George Miller vs Los Elefantes, Salvador Dalí.
Frozen, Jennifer Lee & Chris Buck vs The Swing, Jean-Honoré Fragonard.
The Neon Demon, Nicolas Winding Refn vs Gard Blue, James Turrell.
The Rocky Horror Picture Show, Jim Sharman vs American Gothic, Grant Wood.
“To The Night & The Cloud” by Percy Bysshe Shelley (1792-1822)
1914
Artist : Jessie Bayes (1876-1970)
Source : pbagalleries.com
Everything Everywhere All at Once (2022) dir. Dan Kwan, Daniel Scheinert
